Congratulations to Libby

RHS Malvern Spring Festival

I'm Libby Hudson from year 9 Caracals and I recently took part in designing a garden at a big RHS show, similar to the Chelsea flower show: the RHS Malvern spring festival. I designed, created and presented a garden for the Schools Garden Challenge. I decided to take part in this experience as I am interested in being a landscape designer when I'm older. The theme was the 400th anniversary of Shakespeare's death so I decided to do the Merchant of Venice after studying it last year. I wanted it to be a relaxing garden that you can imagine being in so added subtle touches of the play.

I used three props to represent the three themes - two silver rings to represent the love story between Bassanio and Portia, a money tree to represent the character Shylock and a lead casket to show the choice that Bassanio has to make for Portia's hand in marriage. The garden was a formal herb garden and everything had a meaning. I created a formal garden to represent the Italian renaissance gardens and Elizabethan knot gardens and herbs because of their importance in Shakespeare's time. It was an amazing experience. It has been a working process since last September and I have met lots of people and have been able to practice lots of useful skills for later life.

The build up started mid April (this year) and even though it was stressful it was really fun and it was worth it in the end. The show was amazing and I met Alan Titchmarsh, saw Mary Berry and became friends with TV gardener Chris Collins! Gardening isn't necessarily thought of as a 'cool' thing to do but it was really fun and I felt as if I developed as a person. I also got the chance to promote Interhigh and had lots of people ask questions.

Libby Hudson

Supporting Teachers as well as Students with Dyslexia

A Dyslexic, teaching in a virtual world

When I first came to Interhigh I was concerned about how vulnerable I might feel as a Dyslexic teacher.  How immediate it would be that any of my common mistakes are going to be observed by my students. I am relieved to say that the understanding and support that I have got from this learning institute is astonishing.

My students have learnt not to be concerned about letting me know when I say one thing and write another. I am never ashamed when I make errors and I welcome corrections. I think many students as well as myself have realised that sometimes we learn better from the mistakes we make. It is a wonderful experience to interact so candidly with students in this exceptional environment.

I had got into good routines as a classroom teacher and relied on these practises to get me through the main stream school environment; most of these have also been used or modified here in my newest teaching experience here at Interhigh.

I quickly realised I was not the only dyslexic in the Interhigh community and we have now established a support group for those that have dyslexia and similar concerns.  I have pieced together my past learning and teaching experiences to create a sequential course that I hope will help prepare, support and encourage confidence in our students whatever their background.

As the majority of the population are not dyslexic the way most students are taught especially at a young age is not all too well suited for the particular strengths and weaknesses we have with learning preferences such as dyslexia and dyspraxia. Adapting the way we do some things, can really help us overcome many issues and adapt good strategies, so that we don’t allow issues like dyslexia to stand in the way of achieving our goals.

 

I hope that anyone with concerns will join us in this group and embrace the wondrous world of dyslexia and similar conditions. Together we can discover the benefits and how to get beyond some of our barriers.

Roxanne Pearce

Science Teacher InterHigh

Im Being Chased by a Dragon

I’m the woman who runs the Monday creative writing workshops for InterHigh. I parachuted into the classroom in January 2010 and I’m happy to say, I’ve enjoyed every single session since. Hopefully, the students have too. Certainly I’ve seen several of them return a second, third or fourth time around. It’s my privilege to watch them develop their writing skills by reacting to simple tasks that trigger their imaginations. The main tasks require dedicated, quiet writing time. It’s brilliant to think of my students, quietly writing at home, wherever that may be, yet united by working to the same theme or starter sentence.

These classes are very different from the academic ones in that those attending range from Year Sevens to Year Elevens. I’m normally aware of a student’s age but no way does this influence me when choosing exercises. Every one of them enjoys words or else they wouldn’t waste time attending my sessions and that’s the levelling factor. I also try to make their choices flexible so they might find themselves imagining they’re auditioning for a part in a Broadway show or telling everyone how they’d turn their laptop into a steam punk computer. They can decide whether to write humorous stuff or to show their dark side. They compose restaurant menus. They design their dream bedroom. They create wild and wonderful worlds.

 Do the younger students ever become frightened by sinister shapes or gruesome monsters? I can tell you it’s usually me who’s scared to turn the light out at bedtime! We do have some bloodthirsty tales but nothing worse than anything you’d find in a self-respecting fairy tale. Humour’s often in evidence and how I enjoy it when someone finds his or her voice and delights us with a character’s quirkiness and ability to make us suspend disbelief.

 

There is a tremendously therapeutic element to creative writing. I first realised this back in the 1970s when I attended an open evening at a residential school for pupils with behavioural problems. One girl showed me a poem she’d written and although it was worryingly dark, I knew she’d expressed her emotions on the page probably far more easily than she could control her anger.

I once held a session for senior citizens where I urged them to write down their memories so their descendants had a record to cherish. The advantage of this kind of group exercise is that often one person’s experiences will trigger someone else’s. Faces light up and people chuckle and nod their heads. In the same way, an InterHigh group will post a smiley face, make a LOL comment, or draw something on the whiteboard. Jacqui and her admin team are very good at informing me if a student is experiencing any personal problems. Sometimes one of the group might text me to explain a close relative is ill or a pet has died. If this student prefers to stay online as an observer, that’s absolutely fine and I like to think the fun and companionship of the others is providing the kind of medicine money can’t buy. 

Every group has a different dynamic. My current one is large and contains writers with whom I’ve worked before plus ones who were new to me at the beginning of term. Of course some students work together in their peer groups but I’ve noticed how quickly everyone bonds and how supportive they are of everyone’s efforts. They are never obliged to contribute. Even the most experienced of writers can have an off day. Tell me about it! Sometimes we run out of time because there’s so much exciting writing to hear.

 When a student who attends regularly but has never contributed to any of the tasks, suddenly posts a piece of writing, I feel very delighted. Those who read aloud or post work achieved in a comparatively short time should be proud of their performance. Confidence is achieved in many different ways. So if you hear your son or daughter speaking over the mic about being chased by a dragon or watching their mum being captured by aliens, please don’t worry. It’s only that Monday woman again.

 

Sandra Mackness